On Thursday, August 15th, the United Workers held a community BBQ at James McHenry Recreation Center. After the city's recent preliminary approval of the Harbor Point TIF on Monday, August 12, the group's youth-led Human Rights Committee wanted to celebrate fair development and demonstrate the need to work together and continue to organize. The local talent featured the New Edition Marching Band, which is a community group that uses the Recreation Center as it's practice space.
On August 10, I had the distinct pleasure and opportunity to attend the 2013 production of A Real "Nigga" Show—a choreopoem performed by an all black and male cast at the Baltimore Theatre Project. The production provided a rare insight into the lives of a group of hyper-maligned, hyper-demonized, and mischaracterized black boys and men, particularly those living in neighborhoods like Upton, Druid Heights, and Greenmount East.
“The legitimate powers of government extend to such acts only as are injurious to others,” Thomas Jefferson wrote in his Notes on the State of Virginia, adding, “But it does me no injury for my neighbor to say there are twenty gods or no god. It neither picks my pocket nor breaks my leg.”
One of the many takeaways from David Ensminger’s newly publishedLeft of the Dial: Conversations with Punk Icons is that subtleties matter. Even the book’s title seems to ask us to examine the distinction between an interview and a conversation, which the author makes clear over and over again.
Sara McClean interviews independent gay porn performers: Colby Keller and Dale Cooper --both of whom call Baltimore home. We sit down to talk with them about pornography as a career, its gender and feminist implications, the strengths and limitations of porn as a profession, sex worker organizing and workplace protections, and the role of porn in sexual health.
Dale Cooper Colby Keller Interview -- June 23, 2013
Summer. The time of year when it’s too hot to move. The perfect time for reading. In a world where billionaires control more than 90% of the media you see, reading can be a welcome respite, an opportunity to think for yourself. A chance to use your imagination, send yourself back in time, or explore another world. It also helps you learn how better to express yourself; the best writers are almost all prolific readers.
As we extend our discussion of the provocative themes found in the blockbuster movie, Avatar, we turn to the role played by researchers and scientists. When it comes to getting to the root of the twin missions of American imperialism and colonization, it is incumbent to do what is true in other searches for truth: follow the money. For many scientists and researchers in the United States, the quest to gain new knowledge is financially supported by entrepreneurial academic institutions or the federal government that provides funding for much of scientific research.
To walk around Charles Village and Greenmount today is to move through rapidly changing neighborhoods, those changes marked by steady decrease in trees and flowers and fancy cornices atop the ubiquitous brick homes as one travels east from St. Paul Street. There are layers and layers of stories here, of planned development, racial segregation, of bars and restaurants and the stuff of daily life. One of those layers is a distinctly gay history, one whose outlines and traces have to be pointed out as they fade behind the more visceral daily reminders of racism.
As the Flood vs Kuhn case turns forty-one years old this week, one of the Supreme Court's most celebrated ruling in the world of sports is also one of its most controversial. The 5-3 decision impacted more than baseball—it raised questions about the court's viability, whether sports are monopolies, and it addressed the issue of labor. However, it also ended the age of innocence for athletes and ushered in a new era of scandals, as well as an arms race for high contracts.